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Clara Open Wall Light

By Federico de Majo, from Ai Lati
$304.84
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  • Eco-Friendly

    Eco Friendly

    Eco Friendly items utilize energy efficient technology or sustainable manufacturing processes to provide a product that saves operating costs while being a more responsible environmental choice.

    Eco Friendly products include Compact Fluorescent light bulbs, LED light bulbs, and items that utilize sustainable materials such as bamboo or use post consumer recycled content.

Design by Federico de Majo, 2009.
By Ai Lati.

The Clara Open Wall Light from Ai Lati features blown triplex opal glass with a glowing transparent border, glossy surface and subtle glass opening at the top of it's shade. Available in two sizes and features Incandescent or Compact Fluorescent lamping options.

Installation Note: For Wall Mount installations only.

Dimensions
  • LL9140/LL9141- 12.6" D X 3.1" H
  • LL9150/LL9151- 14.9" D X 3.9" H
Material(s)
Glass, metal
Lamp Type
CFL, COMPACT FLUORESCENT, INCANDESCENT
Bulbs
LL9140- 1 X 60W Medium Base (E26) Incandescent bulb (not included) LL9150- 2 X 60W Medium Base (E26) Incandescent bulbs (not included) LL9141- 1 X 26W GX24q-3 Compact Fluorescent lamp (not included) LL9151- 2 X 26W GX24q-3 Compact Fluorescent lamps (not included)
Listing
UL
Item Number
LCL-AI-LATI-CLARA-OPEN-WALL-LIGHT
Model(s)
LL9140 LL9141 LL9150 LL9151

Design by Federico de Majo, 2009.
By Ai Lati.

The Clara Open Wall Light from Ai Lati features blown triplex opal glass with a glowing transparent border, glossy surface and subtle glass opening at the top of it's shade. Available in two sizes and features Incandescent or Compact Fluorescent lamping options.

Installation Note: For Wall Mount installations only.

Ai Lati

Ai Lati (Italy) takes Venetian glassblowing + craftsmanship to Eastern Europe to create glass fixtures of contemporary color and beauty at an affordable price.

See more from Ai Lati

Federico de Majo

The story of Federico de Majo has its beginnings in the family business on the island of Murano. It was here, in the mid-1970s, that he began, as did artistic glass in general.

...yet this job is hardship, sweat and tension. You can never get away, far from it; the group requires the everybody’s continuous attention. But it is pure joy to be in furnace at dawn, to see the dance begin to the warm music of the glass pot, to be next to these jugglers, to share the desire to realize our thoughts. Thank you unknown artists, your glass is our happiness. -Federico de Majo.

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