Pipe Pendant Light in White and Pink -Closeout
Established in 2002, Tom Dixon is a British design and manufacturing company of lighting and furniture. With a recognized commitment to innovation and a mission to revive the British furniture industry, the Tom Dixon brand is inspired by the unique heritage, the individualistic innovation and the robust, no nonsense engineering of these small islands. In 2004 Proventus, the Swedish-based private investment company, teamed up with Tom Dixon to establish Design Research, a design and product development holding company. Tom Dixon launches new collections annually at the Milan international furniture fair and product is sold across 61 countries.
In September 2012 Tom Dixon's sister-brand, Eclectic by Tom Dixon, was established, launching accessories collections annually at Maison et Object in Paris.
Launched in 2007, Design Research Studio is the interior design arm of the Design Research Group. Recently completed Tom Dixon projects include Restaurant at the Royal Academy London, Tazmania Ballroom, a pool bar in the Central district of Hong Kong, Jamie Oliver's new London restaurant, Barbecoa, as well as Shoreditch House, Paramount private members' clubs as well as Joseph's flagship store on Old Bond Street, London. Most recently Design Research Studio won their first ever hotel project, redesigning the iconic Thames-side Sea Containers House in collaboration with US hotel giant Morgan's Hotel Group due for completion late 2013.
Tunisian born Tom Dixon rose to prominence in the mid 1980s as 'the talented untrained designer with a line in welded salvage furniture'. Having worked for Italian manufacturer Cappellini where he designed the iconic S chair; Tom Dixon then went on to create his own company, 'Eurolounge', under which he made and sold the much celebrated Jack light. Tom Dixon was appointed head of design by Habitat in 1998 and later became Creative Director until his departure in January 2008. Tom Dixon was awarded the Order of the British Empire in 2001, and Designer of the Year 2008 from Architektur and Wohnen Magazine. He is the Creative Director of Tom Dixon and Artek.
Born in Sfax, Tunisia in 1959, to a French/Latvian mother and an English father, Tom Dixon moved to England aged four and spent his school years in London. He dropped out of Chelsea School of Art to play bass in the band Funkapolitan before teaching himself welding and going on to produce furniture.
Tom rose to prominence in the mid 1980's as "the talented untrained designer with a line in welded salvage furniture". He set up 'Space' as a creative think-tank and shop front for himself and other young designers. By the late 1980's, Tom Dixon's international reputation grew, he was approached by Italian furniture design company, Cappellini, for whom he desinged the Iconic "S" chair. In the 1990's, he became a household name and Jack, his polypropylene "sitting, stacking, lighting thing" designed for his own company Eurolounge was a symbol of the age.
Tom Dixon's appointment as Head of the UK design studio at the furniture retailer Habitat in 1998 was considered controversial. He came from a self-employed background instead of a corporate culture and was never considered "establishment". Tom Dixon led the company through its biggest makeover and quickly won recognition by becoming Head of International Design in 1999 and Creative Director in 2001. He was the public face of a collective team responsible for rejuvenating the Habitat brand, while maintaining Terence Conran's dream of enriching everyday life through simple, modern design and creating a shopping experience that is theatrical and intimate.
In 2000, Tom's work was recognized by the award of an OBE by Her Majesty The Queen. His works have also been acquired by the world's most famous museums and are now in permanent collections across the globe including Victoria and Albert Museum, Museums of Modern Art New York and Tokyo and Centre Beaubourg (Pompidou).
"Honestly, I can't remember ever holding an ambition to be a designer. It just slowly came over me as I rejected notions of being an artist or, a craftsman. Even today I prefer the idea of being an industrialist."- Tom Dixon.View other products by Tom Dixon